Interview: Qinmin Liu

By Mary Ma, Barnard College Choreographer, performer, entrepreneur, Real Player… There isn’t one word or phrase that can encompass the multi-dimensionality of Qinmin Liu and her artistic practice. Her recent performance, QINGNI QINMIN, the second chapter of Real Player 56

Interview: Qinmin Liu

By Mary Ma, Barnard College Choreographer, performer, entrepreneur, Real Player… There isn’t one word or phrase that can encompass the multi-dimensionality of Qinmin Liu and her artistic practice. Her recent performance, QINGNI QINMIN, the second chapter of Real Player 56

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On the Chimeric Subject

By Aaron Su, Columbia University Originally published in the 2018 print edition. The question of selfhood has occupied a central problematic in nearly all the work of multidisciplinary queer artist and punk icon Vaginal Davis. Most notably, Davis is “the key

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On the Chimeric Subject

By Aaron Su, Columbia University Originally published in the 2018 print edition. The question of selfhood has occupied a central problematic in nearly all the work of multidisciplinary queer artist and punk icon Vaginal Davis. Most notably, Davis is “the key

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Pinup

Pinup (2017) Mixed media collage By Jasmine Weber, Columbia University Originally published in the 2018 print edition.

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Pinup

Pinup (2017) Mixed media collage By Jasmine Weber, Columbia University Originally published in the 2018 print edition.

Fibrous Depths: John Paul Morabito’s Woven “Frottage”

By Anastatia Spicer, Hampshire College Originally published in the 2018 print edition. Surfaces are typically envisioned to be sites of differentiation, where self/other, object/subject are defined. The structure of weaving and supple qualities of cloth are a unique alternative to understanding surfaces

Fibrous Depths: John Paul Morabito’s Woven “Frottage”

By Anastatia Spicer, Hampshire College Originally published in the 2018 print edition. Surfaces are typically envisioned to be sites of differentiation, where self/other, object/subject are defined. The structure of weaving and supple qualities of cloth are a unique alternative to understanding surfaces

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Input Output I and Input Output II

Input Output I and Input Output II (2017) Digital embroidery on linen By Ella Viscardi, Barnard College Originally published in the 2018 print edition.

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Input Output I and Input Output II

Input Output I and Input Output II (2017) Digital embroidery on linen By Ella Viscardi, Barnard College Originally published in the 2018 print edition.

Bodies Dissolving Boundaries

By Tina Shan, Barnard College Originally published in the 2018 print edition. What is it about the surface of the body that excites us and disturbs us? When Ren Hang’s camera captures nude figures against stark and abstract backgrounds, the photographer

Bodies Dissolving Boundaries

By Tina Shan, Barnard College Originally published in the 2018 print edition. What is it about the surface of the body that excites us and disturbs us? When Ren Hang’s camera captures nude figures against stark and abstract backgrounds, the photographer

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Surface I

  Surface I (2016) 16mm film, hand processed and transferred to video Sound by Cami Dominguez and Zoe Biggers By Cami Dominguez, Amherst College Originally published in the 2018 print edition.

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Surface I

  Surface I (2016) 16mm film, hand processed and transferred to video Sound by Cami Dominguez and Zoe Biggers By Cami Dominguez, Amherst College Originally published in the 2018 print edition.

Nolli’s Orders: Form Unlimited

By Natalie Edwards, Washington University in St. Louis Originally published in the 2018 print edition. In the 18th century, Giovanni Battista Piranesi found the abandoned forums and crumbling temples of ancient Rome to be so suggestive that he described them as

Nolli’s Orders: Form Unlimited

By Natalie Edwards, Washington University in St. Louis Originally published in the 2018 print edition. In the 18th century, Giovanni Battista Piranesi found the abandoned forums and crumbling temples of ancient Rome to be so suggestive that he described them as

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Back to the Breast

Back to the Breast (2017) Interactive eco-inflatable installation Organic cotton coated in natural latex Measures 60ft x 32ft x 20ft (18m x 10m x 6m) By Carina Hardy, Barnard College Originally published in the 2018 print edition.

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Back to the Breast

Back to the Breast (2017) Interactive eco-inflatable installation Organic cotton coated in natural latex Measures 60ft x 32ft x 20ft (18m x 10m x 6m) By Carina Hardy, Barnard College Originally published in the 2018 print edition.

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Then, Molasses

Then, Molasses (2017) Platinotype By Shelby Ragsdale, School of the Art Institute of Chicago Originally published in the 2018 print edition.

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Then, Molasses

Then, Molasses (2017) Platinotype By Shelby Ragsdale, School of the Art Institute of Chicago Originally published in the 2018 print edition.