Sally Mann: A Thousand Crossings

By Jonah Goldman-Kay, Columbia University Sally Mann occupies an odd place in the realm of contemporary photography. While she has major gallery representation and is by no means obscure, she has had only a handful of major surveys or retrospectives

Sally Mann: A Thousand Crossings

By Jonah Goldman-Kay, Columbia University Sally Mann occupies an odd place in the realm of contemporary photography. While she has major gallery representation and is by no means obscure, she has had only a handful of major surveys or retrospectives

/ Art, GIF

One and Many

Untitled #1, #2, and #3 from “One and Many” (2017-18), archival inkjet print. By Chan Hong Yui Clement, (Savannah College of Art and Design)  

/ Art, GIF

One and Many

Untitled #1, #2, and #3 from “One and Many” (2017-18), archival inkjet print. By Chan Hong Yui Clement, (Savannah College of Art and Design)  

2018 Launch Party

We’ve announced the date for our 2018 launch party! Join us to celebrate the launch of Surface Tension, the third edition of JAC. Pick up a fresh copy of the print edition and meet our published writers and artists.

2018 Launch Party

We’ve announced the date for our 2018 launch party! Join us to celebrate the launch of Surface Tension, the third edition of JAC. Pick up a fresh copy of the print edition and meet our published writers and artists.

Interview: Cynthia Madansky

My introduction to filmmaker Cynthia Madansky’s work was her film TREYF (1998), which explores Jewish identity through the lens of two Jewish lesbians who met at a Passover seder. The film begins with sweet, funny mundanity

Interview: Cynthia Madansky

My introduction to filmmaker Cynthia Madansky’s work was her film TREYF (1998), which explores Jewish identity through the lens of two Jewish lesbians who met at a Passover seder. The film begins with sweet, funny mundanity

Figuring Afro-Fantasy: Black Bodies Beyond the Barriers of Postcolonial Narratives in Toyin Ojih Odutola’s Portraiture

by Mary Ma, Barnard College
Entering into Toyin Ojih Odutola’s solo exhibition at the Whitney Museum, To Wander Determined, is like entering into a simultaneous reality from a parallel universe. Framed

Figuring Afro-Fantasy: Black Bodies Beyond the Barriers of Postcolonial Narratives in Toyin Ojih Odutola’s Portraiture

by Mary Ma, Barnard College
Entering into Toyin Ojih Odutola’s solo exhibition at the Whitney Museum, To Wander Determined, is like entering into a simultaneous reality from a parallel universe. Framed

Call for Submissions

Surface Tension For our third edition, the Journal of Art Criticism at Barnard seeks submissions of art and art criticism, particularly work that conceptualizes surfaces—material as surface, skin as material, the tactility of surfaces, bodily sensations evoked through surfaces, and

Call for Submissions

Surface Tension For our third edition, the Journal of Art Criticism at Barnard seeks submissions of art and art criticism, particularly work that conceptualizes surfaces—material as surface, skin as material, the tactility of surfaces, bodily sensations evoked through surfaces, and

/ Art

Interior Service Only (À utiliser seulement dans le service intérieur: France, Algérie et Tunisie)

by Sophie Kovel, Barnard College Originally published in the 2017 edition. found postcards.   Versailles, Le Bosquet des Bains d’Apollon Versailles, La Galerie des Glaces   Versailles (Apollo’s Bath and the Gallery of Mirrors) epitomizes a French nationalism that is

/ Art

Interior Service Only (À utiliser seulement dans le service intérieur: France, Algérie et Tunisie)

by Sophie Kovel, Barnard College Originally published in the 2017 edition. found postcards.   Versailles, Le Bosquet des Bains d’Apollon Versailles, La Galerie des Glaces   Versailles (Apollo’s Bath and the Gallery of Mirrors) epitomizes a French nationalism that is

Activation as Freedom in Cosmococas

by Lydia Mullins, University of Chicago Originally published in the 2017 edition.   I arrived as if it were the limit of everything: the need to develop more and more something that would be extra-exhibition, extra-work, more than a participating

Activation as Freedom in Cosmococas

by Lydia Mullins, University of Chicago Originally published in the 2017 edition.   I arrived as if it were the limit of everything: the need to develop more and more something that would be extra-exhibition, extra-work, more than a participating

/ Art

Paint and Ink on Film #5, #7

by Amber Collins-Parnell, University of Chicago

/ Art

Paint and Ink on Film #5, #7

by Amber Collins-Parnell, University of Chicago

/ Art

Untitled Composition no. 71 from America

by Anna Sierra Liechter, Barnard College Originally published in the 2017 edition. color toner on vellum.  

/ Art

Untitled Composition no. 71 from America

by Anna Sierra Liechter, Barnard College Originally published in the 2017 edition. color toner on vellum.